View to a Kill, Rincon 1981 — artwork presentation. Peter Crawford Archive.

View to a kill. Lone spectator watches distant surfer take off at outer Rincon, Easter 1981

40 x 40 cm Resin Photo on Aluminum
$450.00

View to a kill. Lone spectator watches distant surfer take off at outer Rincon, Easter 1981

Derek Hynd, sans contest vest, blown off him during a first wave wipeout, becomes the only surfer in pro contest history to successfully come through a pro heat minus requisite garb, if not in any heat at all - and in soul-black wetsuit at that. Also, the only time this day that a competitor has gone the Hail Mary deep Rincon gamble, about to pay off against the unsighted Dane Kealoha. It is also the only heat featuring both riders on guns. The wind has earlier swung from stormy Sou West to abating West to perfect due North in sculpting best ever conditions. Far off Point Addis has registered every wrapping set over eight hours. All day at this signal, surfers have stroked head down for the horizon. This particular afternoon has literally been the greatest show on Earth.

Out of shot, 1000 plus people stand behind the spectator in a superb act of photographic deception. The sun and the howling offshores have already combined for Simon Anderson's historic centre stage with light beginning to fade. Photog Crawford has already risked life in having been dropped into the lineup by helicopter, survived the experience, and is back on the clifftop for this last main event heat, yet the surfing isn't done. Not by a long shot. The cap comes from two complete surfers - Wayne Lynch via stunning hook under the lip and above the head of rookie Barton Lynch, and Terry Fitzgerald on an island gun with undoubtedly the greatest handful of soul arches ever likely to be seen. By way of grand climactic prelude the prior day, orchestrator Doug Warbrick had privately called this mega swell to just a handful of people at the bottom of an emptying Bells carpark. Most winning pros had left for the day in the assumption that a playful day of diminishing swell was all but gone.

NOT - QUITE. Doug's old secret contact, in the days of finger to the wind and chart at the ready, was 50 miles to the west as the crow flies - and at a lighthouse. He'd just spoken to Doug by phone, "The biggest lift in a sea that I've seen in all my days is bloody well in front of me". Every pro was about to be clobbered without a big wave gun in the arsenal - save Terry Fitzgerald's mob - literally blindsided in dark horror from midnight until incredulous 7 a.m. first light. Few slept right through - from the foundations of Torquay houses shaking.

Derek Hynd 2026

Size
$450.00
Taxes included.
Premium Glass Mirror Mount Details

Our most refined display option. The image is back-printed onto glass, then silver mirrored using traditional techniques to create a luminous surface with rich colour, reflection and depth.

The finished glass mirror is mounted onto premium-grade birch wood ply and stained Japan black, giving the piece a substantial gallery feel.

✓ 50 × 50 cm
✓ Back-printed glass
✓ Traditional silver mirror finish
✓ Mounted on premium birch wood ply
✓ Hand-crafted in Byron Bay
✓ Please allow 2 weeks for production

Premium Aluminium Resin Mount Details

A lightweight, beautifully finished display piece with strong colour, detail and depth. The image is printed onto aluminium composite panel, then finished with a hand-applied resin coating for a rich, polished surface.

This option has a clean gallery feel without the weight or cost of glass.

✓ 40 × 40 cm
✓ Aluminium composite panel
✓ Hand-applied resin finish
✓ Lightweight
✓ Ready to hang
✓ Please allow 2 weeks for production

Details

✓ Ready to hang
✓ Limited edition
✓ Certificate of authenticity included

Watermark

Images displayed online include a watermark for archive protection and attribution. All purchased artworks and reproductions are supplied without watermarks.

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Edition & Authenticity

Each photograph is produced in a limited edition and accompanied by a numbered certificate of authenticity from the Peter Crawford Archive.

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View to a Kill, Rincon 1981 — artwork presentation. Peter Crawford Archive.

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